..The exhibition offers a unique journey to discover the noir genre through famous and very rare photo envelopes made in Italy, part of the heritage of the collector Paolo Zelati. An exhibition not to be missed, which offers the story of an era and a film production and which includes pieces now unavailable such as photobustas for The Blue Dahlia (1946), Cat People (1943), Casablanca (1942), Sunset Blvd (1951), then Classics as Gilda (1946), Postman Always Rings Twice (1946) and finally some very hard to find titles as The Glass Key (1947) and Double Indemnity (1947)...

Extract from the Festival program